Photo tips for shooting on bright, sunny days

While bright, sunny days are not ideal for photographing plants and people, there are ways to make the best of a bright situation. For example, backlighting creates jewel-like qualities in flowers.

When the weather man predicts that the sun will come out, my camera often stays in. Why? Bright, sunny days are great for picnics, hiking and putzing in the garden. But they’re not so great for taking pictures of plants and people outside. Give me an overcast day and my camera and I are happy campers. 

On a bright day, like the ones we experienced last week, the sun is both your best friend and worst enemy. It provides buckets of light, this is true, but it also turns your photos into high-contrast scenes with extreme bright and dark areas. — for example, under a ball cap or the eyes of a bear, sunk back in deep eye sockets.

I’ll share seven of my favorite tips that will help you make the best of a sunny situation. Whether you use a smartphone or a DSLR camera, these tips will ensure that the sun will always be your friend. 


When it comes to light, softer is better

Contrary to popular belief, a beautiful day doesn’t automatically make beautiful photos. This is probably one of the biggest misconceptions that people have about photography. For example, when light reflects off shiny delphinium leaves, it creates distracting shiny spots.

Where there’s light, there’s dark. I mentioned a ball cap earlier. Ever snapped a photo of someone on a bright, sunny day only to find their nose and eyes disappear in ball cap shadows?

Fog and cloudy days, on the other hand, generate soft, even light that is pleasing for taking pictures of flowers, people, birds and animals. But hey, what if the blue poppies you’ve been waiting for all season are in their prime right now, and sunny skies are forecasted? Where there’s a will, there’s a way to get around the sunshine.


Seven ways to make the best of a bright situation

1) Timing is everything

The easiest solution to extreme lighting is to simply avoid the midday sun. It might seem counter-intuitive, by try taking your pictures in the early morning or the dusky hours of evening. 


2) Wait for good light

Since the diffused light of an overcast sky or hazy sunlight is ideal, it’s worth waiting for the right light. As I mentioned, overcast days provide the best lighting for portraits and close-ups of flowers. If it’s partly cloudy outside, simply wait for a cloud to pass in front of the sun. 


3) Bring in the clouds

But what if you can’t wait for the clouds to roll in? Take charge and create overcast conditions. For example, let’s say you’re photographing wildflowers on Near Island’s South End Trail. It’s high noon and the light is harsh. To soften the bright sunlight that’s striking your subject, hold a “diffuser” such as wax paper or a white garbage bag between the flower and the sun. Then take your picture.

Your assignment: When using a diffuser, take a photo with the diffuser and one without, just to prove it to yourself. You’ll be amazed at the difference. For larger subjects, read on to learn what Sports Illustrated photographers do to solve sunny situations.


4) Flash it!

Adding just a kiss of light with flash is a great way to brighten up some of the shadows areas. This is called “fill flash” and it’s a function on almost all cameras and smartphones. You can also lighten shadowy areas when processing your photos. 


5) Reflect it!

Back to Sports Illustrated. Have you ever seen their swimsuit editions? If you were to attend one of their photo shoots, you’d see people holding up giant white reflectors to bounce light back onto the models. Soft, lovely, sweet light.

So if you don’t have flash or if your battery is running low (flash sucks up a lot of battery power), bring on the reflectors. Sheets, white walls, aluminum foil, white foam core — even a white t-shirt is enough to brighten up a flower. Believe me, this simple trick creates amazing results. 


6) Backlight for a dramatic look

To set up a shot, many how-to photography books recommend placing the sun at your back. This is a worthy guideline, but for the sake of exploring artistic expression, let’s break this rule of thumb. For example, one way to make a field of wildflowers really glow is to take a picture of them when they’re backlit — that is, with the sun facing you and shining through the flowers.

Experiment with a variety of exposures to create a range of effects, from beautiful silhouettes to a stained-glass look. This is especially noticeable with translucent fabrics or flower petals like poppies, nasturtiums, and pansies.


7) Last, but not least

Photography isn’t worth the effort unless you are enjoying yourself and making images that please you. To accomplish this, know how to use your camera equipment, your apps, whatever. Every summer I conduct a dozen or so photography workshops and I can’t tell you how many times visitors have come to Kodiak for a once-in-a-lifetime trip with a new camera that they just unboxed. 

As for shooting on sunny days, experiment with the light that is given you. No excuses! Experiment with various diffusers and reflectors. Play. Get down on your belly and shoot through flowers and branches. Capture children playing at the beach or on the playground. And one thing about photographing kids: DON’T say cheese! A natural pose is sweeter than a stilted smile when they are broken away from, say, building a sand castle.

Finally, be brutally honest with yourself when critiquing your photos. Ask yourself, “How can I improve?” And have fun.


Since 1985, Marion Owen’s images have been featured by The Smithsonian, Better Homes and Gardens, Audubon, Patagonia, Pillsbury, Readers Digest, and National Geographic Traveler to name a few. Follow Marion on Facebook or visit her blog at

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